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The Consolation of Philosophy - Anicius Manlius Severinus BOETHIUS

Consolation of Philosophy (Latin: Consolatio Philosophiae) is a philosophical work by Boethius written in about the year 524 AD. It has been described as the single most important and influential work in the West in medieval and early Renaissance Christianity, and is also the last great work that can be called Classical.

Consolation of Philosophy was written during Boethius' one year imprisonment while awaiting trial, and eventual horrific execution, for the crime of treason by Ostrogothic King Theodoric the Great. Boethius was at the very heights of power in Rome and was brought down by treachery. It was from this experience he was inspired to write a philosophical book from prison reflecting on how a lord's favor could change so quickly and why friends would turn against him. It has been described as “by far the most interesting example of prison literature the world has ever seen.”

The Consolation of Philosophy stands, by its note of fatalism and its affinities with the Christian doctrine of humility, midway between the heathen philosophy of Seneca the Younger and the later Christian philosophy of consolation represented by Thomas Aquinas.

The book is heavily influenced by Plato and his dialogues (as was Boethius himself). (Summary from Wikipedia)

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Preface & ProemBk1: Song I: Boethius' Complaint, and section IBk1: Song II: His Depondency, and section IIBk 1: Song III: The Mists Dispelled, and section IIIBk 1: Song IV: Nothing Can Subdue Virtue, and section IVBk 1: Song V: Boethius' Prayer, and section VBk 1: Song VI: All Things Have Their Needful Order, and section VIBk 1: Song VII: The Perturbations of PassionBk 2: Section I, and Song I: Fortune's MaliceBk 2: Section II, and Song II: Man's CovetousnessBk 2: Section III, and Song III: All PassesBk 2: Section IV, and Song IV: The Golden MeanBk 2: Section V, and Song V: The Former AgeBk 2: Section VI, and Song VI: Nero's InfamyBk 2: Section VII, and Song VII: Glory May Not LastBk 2: Section VIII, and Song VIII: Love Is Lord of AllBk 3: Section I, and Song I: The Thorns of ErrorBk 3: Section II, and Song II: The Bent of NatureBk 3: Section III, and Song III: The Insatiableness of AvariceBk 3: Section IV, and Song IV: Disgrace of Honours Conferred by a TyrantBk 3: Section V, and Song V: Self-MasteryBk 3: Section VI, and Song VI: True NobilityBk 3: Section VII, and Song VII: Pleasure's StingBk 3: Section VIII, and Song VIII: Human FollyBk 3: Section IX, and Song IX: InvocationBk 3: Section X, and Song X: The True LightBk 3: Section XI, and Song XI: ReminiscenceBk 3: Section XII, and Song XII: Orpheus and EurydiceBk 4: Section I, and Song I: The Soul's FlightBk 4: Section II, and Song II: The Bondage of PassionBk 4: Section III, and Song III: Circe's CupBk 4: Section IV, and Song IV: The Unreasonableness of HatredBk 4: Section V, and Song V: Wonder and IgnoranceBk 4: Section VI, and Song VI: The Universal AimBk 4: Section VII, and Song VII: The Hero's PathBk 5: Section I, and Song I: ChanceBk 5: Section II, and Song II: The True SunBk 5: Section III, and Song III: Truth's ParadoxesBk 5: Section IV, and Song IV: A Psychological FallacyBk 5: Section V, and Song V: The Upward LookBk 5: Section VI & Epilogue
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