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Aesthetic as Science of Expression and General Linguistic - Benedetto Croce

One of the earliest works of this Italian philosopher and literary critic, Aesthetic as Science of Expression and General Linguistic marks the beginning of Croce's elaboration of his highly influential ideas of aesthetics. Croce defines art in terms of intuition and expression, thus replacing beauty as the primary criterion for aesthetic evaluation. - Summary by Mary J
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IntroductionIntuition and ExpressionIntuition and ArtArt and PhilosophyHistoricism and Intellectualism in AestheticAnalogous Errors in Historic and in LogicTheoretic and Practical ActivityAnalogy Between the Theoretic and the PracticalExclusion of Other Spiritual FormsIndivisibility of Expression into Modes or Grades and Critique of RhetoricAesthetic Feelings and the Distinction between the Beautiful and the UglyCritique of Aesthetic HedonismThe Aesthetic of the Sympathetic and Pseudo-Aesthetic ConceptsThe So-Called Physically Beautiful in Nature and in ArtErrors Arising from the Confusion between Physic and AestheticThe Activity of Externalization. Technique and the Theory of the ArtsTaste and the Reproduction of ArtThe History of Literature and of ArtConclusion: Identity of Linguistic and AestheticHistorical Summary, Part 1Historical Summary, Part 2Historical Summary, Part 3Historical Summary, Part 4Historical Summary, Part 5Historical Summary, Part 6Historical Summary, Part 7Historical Summary, Part 8Appendix, Part 1Appendix, Part 2Appendix, Part 3
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